Lilly

“You like sushi?  I get it from the market on Folsom.  After five they sell everything half price—“

“Fuck you!”  I push the plastic container so hard it flips over onto the floor.

He just smiles.  A big, shit-eating grin.  Did I really sleep with this guy?  I don’t remember.  I DON’T REMEMBER!

Shouldn’t that count for something?

“It’s okay you’re clumsy.  Probably hung-over too, huh?” he says as he picks my California roll of the floor with long, hairless fingers.  Dainty fingernails.  Like a piano player. 

Did we talk at the bar at Chex Louis about how I played piano from the time I was seven?  Is that how we hooked up?

I DON’T REMEMBER!

“Please, can I just go?  Please?” I say.

He doesn’t answer, just picks at the wasabi that’s stuck in the carpet. 

“You seem like a really nice guy.  How about I take your number and we get together sometime.  Go dancing.  Whatever you want.”

He nudges the sushi toward me on the overturned crate that’s acting as my dinner table.  I keep looking at the door, and he notices.

“You’re not going anywhere,” he says, not in a mean way, just in a matter-of-fact tone that is way scarier. 

It’s even scarier when he takes one of the pieces of California roll and stuffs it in my mouth.

“Stop talking now,” he says, as he takes my flannel shirt off the bed and uses it to sop up the soy sauce I spilled on the rug.

Sophie

Sophie:  Sleep pulls at me.  It’s fingers are twined through my brain, refusing to acknowledge the persistant beeping of my alarm. 

            “Sophia Margaret Lewellen, what the fuck is wrong with you?” screams my mother, who also bangs on the thin wall between our rooms with her fist.

            Sleep recoils, and I jump up, turn off the alarm, spin around in fright – is Momma coming in?  Will she trade me for the wall as a target for her fists?

            All is quiet again.  I’m standing on the bare wood floor, a sliver of space between my bed and my dresser.  Looking to the side, I check myself out in the mirror.  I’m not vain, it’s not like that!  I just can’t help it.

            All I can see is my stomach, protruding out as though I’m pregnant or something.  I think I grew fatter during the night.  Dropping to the floor, I begin a hard-core set of calisthenics, mostly working on my abs. 

            It’s almost eight when I finish, and the bus comes at eight-fifteen.  The clothes I’ve laid out are uncomfortable.  Itchy leggings and a long shirt that looked cute on the mannequin in the store, but only makes me look fatter.  Tossing through my closet, I end up yanking a pair of holey jeans out of the laundry pile and shoving my legs into them so fast, my foot catches on the hole in the knee and pulls it wider.  Don’t care.  Slip into a Hello Kitty black shirt I’ve had since I was eleven and it still fits, it fits great, it’s tight, and my ribs even show, and I’m not going to look in the mirror again, not going to check if my fat stomach is sticking out because it’s already eight-eleven.

            Rushing to my laptop, I start to write: 

            “Thirteen today.  Alone.  Momma’s in bed.  She won’t be up until after I get home, and then she’ll be on the couch with her big, plastic red cup of wine, and there won’t be a cake, but I don’t mind. I wouldn’t eat it anyway.”

            My bedroom door swings open, slams against the wall.  I jump.  Goosebumps rise on my arms.

            “The bus will be here in two minutes.  Two minutes, young lady!  I’m not driving you, don’t think I’m driving you.  What are you writing?  Are you writing about me?  Why don’t you write about yourself? Why don’t you write that you’re as skinny as a baby bird because you won’t eat, and your mother does nothing except try to make you the best meals…”

            She goes on, but I’ve already shut my computer and I don’t care if she reads my stuff while I’m gone, I don’t care about her.  I don’t need to listen to her lies.  One day I will be a famous writer and I will leave here and leave her and right now, I’m outta here.  Grabbing my backpack and hoisting it onto my shoulders, I bend over from the weight, but that’s good, because the position pushes my head out in front so I’m like a pointy missile, aimed at my mother.  She moves aside and lets me pass.

            I hear the bus as I run down the steps from the third floor, past the second, where Mrs. Findley lives and I smell bacon and my stomach twists inside, but I wouldn’t ever eat bacon anyway.  I won’t eat anything that used to have a head.

            I won’t eat anything.

            The bus chokes and grumbles past me just as I get outside.

            So what, I’ll walk.

            Staring down at the sidewalk, I’m careful not to step on cracks, but I count them as I go, and I’ve just passed crack number one hundred and ninety-eight when I see the bird.

            A cluster of flies rises off it as I get closer.  Only its skeleton and a few thin strands of flesh remain on it’s torso.  The head is gone.  But the wings!  They somehow remain completely intact, outstretched as if it is ready to fly.  

Cleo

"Rolling in the deep..."

Music blares from my earbuds into my heart.

The refrain:  I spin, spin, spin, spin.

Spin until I hit the studio wall.

Spin until my stomach wants to jump out of my throat.

Spin until I collapse.

"We could have had it all..."

Rolling in the deep.

interview with Shelley (audio)

I hope this works!

Angelique

Angelique:  It’s raining.  Oh great.

Cupping my hands around the tip of my cigarette, I press my thumb on the flint wheel of my lighter.  The wind blows the tiny flame out before I even take my thumb off the gas.  I huddle tighter.

Someone in a hurry bumps me.  I don’t even look up.

Finally, the flare of light catches the cigarette paper, and I’m lit up and puffing furiously.

It’s three am.  She got me up at two, my phone ringing an electronic version of “We R Who We R” – ringtone muzak of Ke$ha.  I should change that – you can’t even tell what the song is when it plays.  But what’s the dif, when no one ever calls me, except my mother, when she wants something, like to be picked up from the hospital at two am.

A Mom and her kid come out through the big, sliding, automated hospital doors, and hurry past me.  The kid looks at me smoking and holds her nose with her fingers, scowls.

Really.

I didn’t even know my mother had left.  I was sleeping when she decided she had to come to the ER for an enema or some shit, to get, well, some shit.  

First, she tells me on the phone that she needs surgery.  So will I come?

Of course, I believe her.  She’s a pathological liar, and I know that, but I believe her.  I’m here, aren’t I?

But of course when I get here at two-thirty, pajama bottoms under a big, black sweater, I find her in an examinating room waiting for test results, and then the doc comes in to tell her they haven’t found anything wrong that a stool softener won’t cure in a day, but she tells him, “Ooooh Doctor, but it huuurts,” so now she’s getting dressed and waiting for her Demerol prescription, or Dilaudid if they’ll give it to her.

“I guess I’m no longer needed here,” I said.

“But you have to drive me home!” she cried.

“You got here yourself, now get yourself home!”

Honestly, Dilaudid for constipation?  I am so done.

Tossing my cigarette -- throwing it down hard -- I tuck my head down against the wind and rain, and head into the parking lot.  I don’t even have my license yet, all I have is a permit.  I could get arrested.  This is ridiculous.  I bark a short laugh at the insanity.

Ke$ha blares from my phone.  It’s her.

“I’m coming out now,” she says.

“Fine,” I say with an exaggerated sigh.  “I’ll be in the car.”

Candace

Candace:  My mother in downstairs in her studio, painting.  She knows I'm home, of course, but I'm supposed to be sick.  In my body, I mean. 

Well, I am sick.  But it's deeper than my mother thinks.

My mother paints oceans.  Literally, oceans.  Fishermen on a wharf, lines dropped into the ocean.  A whale spouting ocean water out of its blowhole.  A mermaid on a rock in the ocean.  Ocean waves, crashing on the beach.

She paints oceans, I believe, because of the oceans of ideas that crash and tumble, flow freely and crest in her brain.  Ideas that lead her to the studio to paint, or to her desk to write, or even down to the beach, to walk and take pictures.

Where are my oceans? I cry to myself.

Barely a trickle moves in me.

Oh, I do fine in school, usually -- or at least I've been known to do well, although lately, maybe not so well.  My mother doesn't know this yet.

My mother's oceans bring us food -- food for thought, and food on the table.  She's quite famous, perhaps you've heard of her?  Of course you have.

But no one's heard of me, and no one will. 

No one knows me, and no one will.

I'm quiet, and I'm still inside.  No ideas rushing through me to crash upon the shore.  No photographs, paintings, stories, sculptures, novels, symphonies or jingles.  

At best, I am an abandoned well.  

Deep and dark inside.

Just enough water to make it damp and uncomfortable to be in here.

Alone.

Just enough water to sustain me, for a little while, and then I claim sickness of my body, and lie in bed, crying dry tears, wishing to feel something other than this deep, dark hole, this deep darkness inside.

Lucy

Lucy returns home with her stepfather, who, as she’d predicted, beats the shit out of her, and all the bravery she felt earlier gets kicked away…

Lucy:  I can’t can’t

He’s hurting me.  He kicks my shin like a little girl, only he has on steel-toed boots, and I collapse.  Now he kicks my in the stomach.  If I throw up, he’ll make me eat it for all I know.  If I throw up, he’ll definitely beat the shit out of me.

He’s already

Holding my knees to my chest, biting my lip so I don’t scream, I wonder how far it is to my backpack, and can I make it, and if I do can I pull out the scissors I stole from the school nurse, and can I stab him and stop him from ever beating me again?

Can I can I

I can’t can’t

Have to

Be strong

Not wimp

Out

Can’t

Can.