Thursday, October 28, 2010

Allison


Allison has both weight and self-esteem issues.  She takes most of her self-image from what others think of her, especially boys.  Here, she tries to make herself into a doll.  Allison first appeared in OGW 4/8/10.

Allison:  I was going through this box of my things from like around fifth grade, and I found this doll with blond hair like mine only better of course because it’s smooth and straight and goes down to the doll’s butt.  I’ve been growing my hair out for a year, and my hair only just goes past my shoulders, plus it’s ragged and all different lengths from when I stupidly had it cut short and “sassy” – that was the word I used, and…
Where was I?
     Oh yeah, the doll.  So, I uncover this doll and I realize that I have a black shirt with a pink skull on it just like the doll is wearing, and I have pink sneakers and the perfect pink and black plaid skort that’s in my “thin clothes” drawer, but maybe I can fit in it.
Maybe I can be just like this doll.  I want to be like a doll.  I want her smile.
The shorts part of the skort squeezes my thighs, but with black leggings underneath, it’s not so bad. 
The doll is flat in front.  My skull shirt is baggy and hides my humungous alien breasts pretty well, and my tummy too, kinda.  I can be a doll.
With a Sharpie marker, I put pink streaks in my hair like the doll has.  I know, I know, Sharpies are permanent ink… I know my Mom is going to tell me this, if she notices at all.
I am going to tell everyone at school that they made a doll after me.  I am going to tell Trevor and he’s going to say “Of course they’d do that, because you’re a doll, Allison!”
And then I’ll smile, secure like my doll.  

Thursday, October 21, 2010

Lola


Lola is another Fant, like Aleia (OGW 10/14) and Gemma (OGW 9/24/09, 10/29/09, 2/4/10, 5/27, 7/29, 9/16).  Lola – half-mermaid -- was thrown back to sea by her parents and almost drowned before she came to live with her Fant family.  Maybe this is why she is the angriest, most distrusting and solitary of the Fants.

Lola:  “There’s nobody ho-ome, nobody home,” I sing with my earbuds stuffed deep. 
     It’s hard to dance in the little bedroom of our one-bedroom, four bed apartment, but I’ve moved the space heater to rest on the bottom bunk, Aleia’s bed.  Probably going to go up in flames, but I don’t care.
     That’s what everyone thinks, that I don’t care.
     Well, maybe I don’t.  Not right now!  I think as I front-kick across the nine foot width of the room, listening to Avril Levigne sing, “She’s lost inside/Lost inside…”
     I’m pent-up energy, a snake hissing inside, coiling and uncoiling, rattling.  I am myself, scales on my legs, green face, shark teeth – the whole Fant package, half mermaid, half really really pissed off girl.
     I don’t even know what I’m angry at.  A lot of times, I don’t even know.
     I just know that this morning Luke said something about Gemma being in trouble, and it’s not that I’m jealous – what do I have to be jealous of – but suddenly I was clacking my sharp teeth together like I was going to bite someone’s head off.
     I could do it, too.  That’s the scary part.  These guys are my family, but I could seriously bite one of them sometimes.  That’s why, when they went out to gather supplies for a rescue of their precious new fairy friend, I laced up my punky boots, put on a black dress with zippers and studs I got on St. Mark’s Place last week, and scrolled down to Avril on my iPod.
     Well, our iPod.  Me, Aleia, Ian, Luke, we share everything.  Nothing’s mine.  No.  Thing.

Thursday, October 14, 2010

Aleia


Aleia is a “Fant” (short for “Fantasy Creature”, also, child of a parent who was addicted to magic).  Her mother smoked Sylph, the most dangerous of the magical drugs, and as a result, when Aleia tries to feel any kind of emotion, she turns to air.  Aleia is a new friend of Gemma’s, the Fairy-girl in OGW 9/24/09, 10/29/09, 2/4/10, 5/27, 7/29, 9/16.  Both girls appear in the novel I’m working on, Wings.

Aleia:  Sometimes I think the worst thing about being part-Sylph is not being able to feel my heart beat.  Or break.
     After Gemma leaves to find out more about her mother, for a moment I feel something, something like a soreness inside, something like a green stick bending bending bending until –
     The image blows away, and so do I. 
     See, the thing with us Fants is that our emotions bring out the elements of our deformities.  I’m the most deformed of all.  I don’t get to just sport a fancy glowing horn-nub like Luke, or have long, luxurious hair like Lola.  Sure she has scales, but only on her legs, and she can cover them if she wants.
     Me, I turn to smoke.  Wind, if I’m really upset.  Polluted wind, that’s what it feels like when my heart breaks.
     Gemma wants to find her mother, who smoked Fairy Dust.  Big deal, right?  Not to me.  My mother smoked Sylph, smoked the actual spirit of the air, made the spirits disappear and made herself disappear finally, like she always wanted.
     Floating near the ceiling, not joining in the conversation with my friends as they discuss Gemma and whether they can trust her and where she came from and all that stuff that I don’t want to hear because it’s what made that beding greenstick feeling happen and then made me change from little girl to air…
     Anyway, I am what I am. 
     My mother never could be.  She was so tiny, with fingers like slender bird bones that floated over the piano keys.  I liked to lie under the grand piano we had and the instrument was my sky, and I could put my hands up and touch it, feel the sky, feel it vibrate.  Feel my mother’s heart, in her music.
     Hear her voice, like sparkling drops of rain or sharp jewels… flowing like a stream or racing like a river… everything, everywhere.  Mine.
     But her music was all she had, all she thought she had.  Forget my father or me -- she did.  Forget that she made her first album when she was nineteen and she went on tour and she had fans and everyone said she was the next big thing.
     She wasn’t, and so after a while, she forgot.  She forgot everything, except how to play and sing and cry.  Eventually, to smoke.  Smoke Sylph until she disappeared into the breeze, and it was just the way she wanted it, I think, to be the air moving the chimes outside the window, but not to be in the real world of solid things like broken dreams and hearts.
     The ache in me makes me swell, like a dark cloud.  But I cannot rain.  I cannot feel what I want to feel, like everyone else.  I can only sink into a shadow in the corner, and imagine that my heart is broken because I will never have a mother again.

Thursday, October 7, 2010

Maree


(add your comments) to Maree’s rant about what to do when you’re really mad…

Maree:
What to do when someone yells at you and you didn’t do anything!….

“key” your leg so no one sees
punch yourself in the stomach
get drunk smoke dope forget
eat a bowl of Phish food with whipped cream
eat another bowl of Phish food with whipped cream
yell really loud in your car
yell back!
tear a notebook in half
run around the block
run up and down the stairs over and over
count to one thousand
look at your hurt face in the mirror
swear a blue streak, whatever that means
go to your room and chain-smoke
get some fresh air
dig your toes in dirt
take a nap
cry cower run
          away

Thursday, September 30, 2010

Nancy

Nancy:  Original Outsider Girl writer, Nancy (Crosses, 1991, 2001).  Mother of Casey (OGW), confidante of Rain and Kayla (Somebody’s Daughter, OGW)

                     Moving On
                   By Nancy Keenan
 
Grab handful of necklaces:
                          Silver moon goddess
                          Turquoise healing beads
                          Long chain
                          Fat heart
                          Beaded Indian Mama
Pack:
                          Clay wolf Casey made
                          Scribbled of phone #’s
                          Purple post-its
                          Conch
                          Witch Baby
Pile into used Priority
Mail shipping box:
                          Each Day a New Beginning
                          Coraline
                          Wood Nymph Seeks Centaur
                          My Many Colored Days
                          Twelve filled notebooks
                          Buffy calendar
                          Hubble: Views of Space
Hug:
                          Big Mama Panda
Kiss:
                          Little Panda Bear
Stuff:                    
                          The box 
                          The suitcase 
                          Full
Carry:
                          It all to my car.
Say:
                          Don’t cry sweet girl,
                          We’re going to be okay.

Thursday, September 23, 2010

Corrina


Corrina measures her life against popular girl, Sasha’s life.  In reality, both girls have been hurt badly, but Corrina can’t see past her own pain.

Corrina:   Sasha is popular.  Sasha grew breasts in sixth grade.  Sasha is thin.  I don’t think she is pretty, but everyone loves Sasha.  She’s all nice, she’s all weepy and broken.  I hat the way she gets everyone’s attention by telling them the private details of her life.  I’ve heard her father’s mean.  He hits her mother.  Maybe he hurts Sasha.
     Sasha is a virgin, and everyone knows it.  My friends and I make fun of her for it. 
     One time, after Math class, I wanted to talk to the teacher, Mr. Mitchem, because my sister was in the hospital again and my mother got drunk and was in jail, and I didn’t have time to do my homework and I wanted an extension instead of a zero… but Sasha got to him first.  She was crying.  Mr. Mitchem told me to leave the room.
     Sasha and I were in the bathroom once together.  I was mad because I went in there to throw up, and with her there, I couldn’t.  I had to stare at my split ends, ugly brown frizzy split ends without style hair.  Ugly blue eyes that didn’t sparkle like Sasha’s, and couldn’t call up tears at a moment’s notice like Sasha’s eyes could.  I was tough.  She was a weak, sniveling, spoiled…
     Sasha:  Sometimes I hold my stomach in all day.  You’re lucky, you’re so thin.
     Me:  My mother says my butt is too big.  It’s huge.  How do you—
     Sasha:  I’d trade my breasts for your butt any day.  I have no butt at all.
     It was true, she had a flat butt, but still, everyone said she was so pretty.  No one said that about me.
     Sasha went back to the auditorium for rehearsal.  She had a lead in Fiddler on the Roof.  All I ever wanted to be was a singer and an actor, but when I tried out, they told me I looked too young (i.e., flat-chested!), and I could be in the chorus or work backstage doing sets.
     I ended up working backstage because a lot of girls back there thought Sasha was a prima donna and they didn’t want to listen to her cry about her flat butt and big breasts.
     Woe is her.  Maybe her Daddy does more than hit her Mom.  Maybe I don’t care.
     I heard the drama coach saying to the head set designer how poor Sasha had so many problems.  When I heard that, my eyes stung, because Mr. Opal was not only the drama coach, but was also my favorite teacher and the only person I would ever consider talking to about my problems.  But like everyone else, he only cared about Sasha, apparently.  I turned and walked away, and Mr. Opal didn’t even notice I was standing there.  I went to the bathroom – alone this time – and put my finger way down the back of my throat and threw up and threw up and threw up.  Fuck Sasha.  Could Sasha do this?  Someday someone would notice, and then they’d forget about Sasha’s problems and they’d talk about how sad I am.  Someday.

Thursday, September 16, 2010

Gemma


Gemma is the adolescent girl with wings, a birth defect caused by her mother smoking Fairy Dust.  Gemma is in New York City, searching for her mother, who ran away when Gemma was six.  Earlier posts from Gemma appeared in OGW 9/24/09, 10/29/09, 2/4/10, and 7/29/10.  In this, longer, post, Gemma finishes her visit with the Hag, who divinates where Gemma can find her mother.

Gemmma:  “Spirit of Fire, burn away the masks which may hide Gemma’s mother from her --” 
     I close my eyes.  I barely breathe.  This is so stupid, and yet I want to believe.  I want to believe this is a spell that will conjure my mother.  I want to believe that tomorrow midnight -- the dawn of spring -- the Hag will turn into a beautiful maiden, and she will have fulfilled her destiny and magic will be real and my mother will appear in this circle next to me any second now, any second now I’ll smell her rosemary shampoo and feel her hand rest on mine and I’ll stop shivering and --
     “Spirit of Water, wash away the obstacles that stand between Gemma and Maya--”
     I smell incense, not my mother.  Incense and rosewater and the slight stink of diaper, a smell I remember from when Jacob, my Jacob, was a baby.  
     Great, just great, the most magical witch in the city wears Depends.  Opening my eyes a crack, I see her bare feet right next to me.  They are smooth and milk-white, not the hairy, bunioned things I expected.  But instead of seeing the magic in that, I want to scream, You’re not a witch! I but I don’t, I just sniffle again as I start to cry, thinking, It’s hopeless.  This old woman will never find --
      “Spirit of Earth, ground us... ground us...”
     Ground us in reality, woman!  Like, get a grip, I think, mustering up some anger out of my fear and heartache and starting to stand up again.  With surprising strength, the old lady pushes me back down. 
     “Ground us in reality,” she says, which freaks me the hell out, I mean does everyone here read minds?  Again, I try to stand, and again she pushes me down.  “You must not break the circle,” she says, and then she totters away to the cabinet over the sink.  I’m watching her as she stands on her toes and reaches in, pulls down a box -- not a shoe box but maybe a boot box -- and brings it back to the circle.  She puts the it in the circle with me.
     All of this has been as if I’m not here looking at her.  Frustration is welling up inside of me like a tornado gathering momentum and sucking everything in.  I’m shaking, I’m so mad.  Where is my mother, that’s all I came here to find out!  I don’t have time for hocus pocus bullcrap.
     “What the --”
     Before I can even get going on my rant, the old, haggy, witching woman gasps!  She claps her hands to her cheeks, and her mouth is a ridiculous “O”.  Putting her hands on the box, she says, “Look what the spirits have brought!”  She pushes the box toward me until it touches my legs.
     Seriously? 
     FUCKING WACK JOB WITCH, WHERE THE FUCK IS MY MOTHER!  I scream in my head.
     The bitch witch opens the box slowly.
     Oh my Goddess.  Oh my Goddess!  I dive into the box with my hands, grabbing letters addressed with my mother’s handwriting -- oh God, I remember now how she used to dot her “i’s” with little hearts...  Envelopes marked “Return to Sender”, envelopes addressed to me!  Fifty letters, easy, plus drawings, a little watercolor of me, a silver ring with a dragon etched into it that says “Luis”.  That’s my Celtic zodiac sign.  I put the ring on, and my finger feels warm, and then the warmth rushes up my arm and to my heart.  Other trinkets that clatter and tinkle as I scrape my fingers through the box, feeling my mother, physically feeling her presence.
     I’m crying so hard, I can hardly see.  I’m happy to have the box, but I’m going to rip the old woman’s head off for not just giving it to me.  I want to boil her in oil.  I want to shake her until she breaks into pieces and leave her on her weird kitchen floor in her weird, fake circle, a puddle of baby blue satin and tulle.
     “You!  You!  You, you -- you had this all this time and you made me sit here and wait and you saw, you saw how upset I was, and you, you pretended to do magic, but I saw you!  I saw you turn on the stove to make it warm!  I saw you get my mother’s things out of the cabinet!  You’re just, you are -- you are a LIAR! I HATE YOU!”
     I drop handfuls of my mother’s letters back into the box, try to put the top on but am shaking so badly, I can’t even do that simple task, and I feel like such a loser and a chump.  Finally, I get the top on and clutch the box to my body -- protecting it, loving it, holding on to it for dear life.  I scramble to my feet and run to the door in a totally ridiculous way because I am still wearing my tight leather skirt and I can’t move my legs that well, plus my foot has fallen asleep --
     “Fuck a duck!” I say, withholding a scream as I struggle with the chains and bolts holding me in.  I can’t get out, I can’t get out, help me help me “MoFo!” I cry out.  I can’t breathe.
     The old woman puts her arm over my shoulder.  I feel something like an electric shock, and for an instant I think I’ve been tasered!  Either because of the taser or because I’m panicking, I can’t move!  I call out with my mind for my Fant friends, “Help me!”
     Suddenly, the shock fades, and like before, when Aleia touched my chest, I feel calm.  I watch while a hand unfastens the door and opens it for me.
     “Go in peace, Believe in peace, Create peace,” I hear, but it’s not the old woman’s gruff, warbling voice -- it’s a soft, warm, feminine voice that feels on my ears like a swallow of warm milk would feel.
     As I leave, I turn to look, and instead of seeing the old woman, I see a beautiful maiden.  She smiles.  “Spring is early this year,” she says just as Ian comes barreling up the stairs. 
     “No!” I say to him, but it’s too late.
     He’s yanked a pole out of the bannister, and is brandishing it like a sword, aiming for the hag/maiden’s throat.